Terry G turned Nigeria Music into madness
Sometimes it all comes down to one moment, one key decision made in a split second that changes the course of events in history. Terry G’s ‘Free madness’ is one of those events.
A song about nothing, Terry G’s
free madness was one of the wonders of Nigerian music that reset the
culture and sent Nigerian music on a path that we are still on.
How it was recorded
‘Free
madness’ is a single-take freestyle. This means it is a recording done
via the singer just spitting words on a mic over the beat in a studio.
When this was done, nothing else was changed. Terry G recorded this when
he was high, and somehow, it found its way into DJ mixes from Alaba.
From there, it became the biggest hit released in 2008. There was
nothing in that song, just a beat, and some freestyle from a guy who was
very very very very high! Jesus!
But
that is half the story. The full story is that the beat was never
supposed to have a Terry G freestyle recorded on it. The singer was
producing a record for a group called Soji Mopol. Halfway through the
recording, the group members stepped outside for a smoke. While they lit
up their blunts and enjoyed a well-deserved break, Terry G came upon
the brilliant idea of free styling on the beat. So he simply set up the
mic, and let loose.
“test the microphone eh, Terry G test the microphone eh…”
A
Twitter user, @Xcel_101, confirmed this story from Terry G himself
while smoking with the singer in 2013, after a performance at Etisalat’s
Cliqfest, University of Lagos.
This explains why some of the lyrics on the song sound pretty weird. Take, for example, the lines –
“People Wey Get This Beat Eh/ Omo Dem Dey For Outside Eh/ Me I Dey Drop The Freestyle Eh/ To Test My Microphone Eh.” This was Terry G confessing to his act of commandeering a beat.
There’s also the part where he says, “Me I no be Mallam Spicy, me I no dey stop for the fourth bar, over.”
This was a diss line to his colleague, Mallam Spicy.
It was a shot at the singer’s recording style. Many musicians and
rappers love to record in different ways, but Mallam Spicy had a very
interesting style. He always recorded in four bars. He records four
bars, stops, and records another four bars. So yes, Terry G, with his
sporadic freestyle ability, is far from Mallam Spicy.
This particular line in the song caused a beef with Spicy, who released a diss track, the popular ‘Free Cure’ (N1005).
“1005 five naira, bling bling..."
Impact On The Culture
Terry
G was huge for the culture. Where previous records which dominated
Nigerian radio were mid-tempo jams, Terry G, in that one moment, flipped
the script, and became the hottest single of the year.
You know how
Runtown’s ‘Mad over you’ had a snowball effect on Nigerian music? That’s
what happened with this one.
Terry G
officially introduced mumble lyrics and nonsensical rhymes to Nigerian
pop music. A precursor of this was D'banj on the title track of his
third album "Entertainer."
Terry
G’s career took off with this, and somehow the tempo of our pop music
grew too. The scales were tipped in favour of that tempo, the radios
gave it numerous spins, videos were rotated on air, and like all trends,
and the music makers jumped on that bandwagon.
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